Culture

What do you get when you read George Eliot’s Daniel Deronda alongside Rav Soloveitchik’s Kol Dodi Dofek? A cross between Zionism and feminism, argues Eileen Watts.

Judah Kerbel explores how differing approaches to listening to music during Sefirat ha-Omer balance the appropriate role for subjectivity in halakhic decision-making.

What can we learn from Rav Kook's writings before he immigrated to the land of Israel? As Yom Ha-Atzma'ut approaches, Levi Morrow reviews Yehuda Mirsky's new prehistory of Rav Kook.

As we prepare for Passover, enjoy these three poems by Bruce Black meditating on the past, present, and future of our Exodus.

The debate about Torah u-Madda and pop culture continues. Noah Marlowe argues that Chaim Potok's literature offers a useful conceptual framework for, and embodiment of, a profound confrontation between Judaism and elite elements of general culture.

Responding to Moshe Kurtz, Olivia Friedman argues that forging deep connections between Torah and popular culture can be an uplifting and sanctified experience.

The dynamic conversation continues with three letters to the editor widening our perspective on Torah u-Madda. Steve Gotlib grapples with the challenges of living Torah u-Madda in the real world; Ezequiel Antebi Sacca adds a Sephardic view from Argentina; and Eugene Korn adds insight to the Jewish view on Christianity.

Moshe Kurtz regales us with his love of science fiction & fantasy, suggesting that the genre’s literature, movies, and games can teach Torah lessons in ethics and morality, but cautioning that Torah u-Madda ought not to become Torah u-Movies.

Sarah Rindner contemplates whether Torah u-Madda as it’s sometimes interpreted can engender unreflective allegiance to trends in contemporary society that might harm our religious communities.

Yisroel Ben-Porat offers historical, hashkafic, and personal reflections on what’s often called the “Judeo-Christian” tradition and whether a Torah u-Madda outlook can embrace the study of Christianity.